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The Sessions + Moonrise Kingdom
in 11 hours, 36 minutesLinks
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Director: Alfred Hitchcock
Over a career spanning more than half a century, Hitchcock fashioned for himself a distinctive and recognisable directorial style. He pioneered the use of a camera which moves in a way meant to mimic a person’s gaze, forcing viewers to engage in a form of voyeurism. He framed shots to maximise anxiety, fear, or empathy, and used innovative film editing. His stories frequently feature fugitives on the run from the law alongside “icy blonde” female characters. Many of Hitchcock’s films have twist endings and thrilling plots featuring depictions of violence, murder, and crime, although many of the mysteries function as decoys or “MacGuffins” meant only to serve thematic elements in the film and the extremely complex psychological examinations of the characters. Hitchcock’s films also borrow many themes from psychoanalysis and feature strong sexual undertones. Through his cameo appearances in his own films, interviews, film trailers, and the television program Alfred Hitchcock Presents, he became a cultural icon.
Bound + Strangers on a Train
Symbiotic murder and crime. Murder, mystery and intrigue in noirland. More information about Larry Wachowski becoming Lana Wachowski. Why Double Feature is interested in Lana Wachowski. Bound contains the shortest Flying Tom Tom yet. Bound is goddamn sexy, and that’s … Continue reading
Assault on Precinct 13 + The Wrong Man
John Carpenter and Alfred Hitchcock are two directors with something to say about the police. Assault on Precinct 13 blah blah Rio Bravo blah blah. Things AoP13 has inspired. Defining action as its own genre. Vanilla twist. The innocent years … Continue reading
The Conversation + Rear Window
Movies about voyeurism by heavy directors. Also, a good double feature! The first Francis Ford Corpula film on the show. Studios and audio equipment. Convenient release timing. The shot of The Quad. Deconstructing a single event. Laboring over one scene. … Continue reading
Lost Highway + Psycho
Double Feature makes two intimidating films by even more intimidating directors completely approachable. David Lynch and Lost Highway. Where you’ve heard Angelo Badalamenti. The return of Trent Reznor. Did David Lynch write The Perfect Drug? The look of Lost Highway. … Continue reading

